Sneak Attack is an auto-swell volume pedal that can also be manually triggered or used in a tremolo mode. The core of the pedal is an Attack/Decay envelope generator with separate length and curve controls for both the attack and decay segments. The envelope can be triggered or cycled in several ways using the input signal, built in footswitch, Malekko Lil’ Buddy footswitch or external clock/click track.
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Please note: We are a small, family owned business. While we want to make sure you are satisfied with your purchase, we would like to try to limit the amount of returns as much as possible. This helps both us and the customer save time and money. If you are unsure about a product, please contact us before you complete the purchase, and we'll do our best to find the item that will best suit your needs. Prymaxe reserves the right to define abuse of the return policy on a case by case basis and consequently refuse subsequent return requests by said abuser and place them "All Sales Final".
Last Updated: March 27, 2018
If you are not 100% satisfied with your purchase, you can return it within 45 days of the original purchase date for a store credit refund, or within 14 days of the original purchase date for a refund to the original purchase method (PayPal, credit card, etc). If an item is not received by us within the 45-day window, the package will be refused. All new items returned must be in BRAND NEW condition with zero signs of wear or use and must be returned in the original packaging with ALL materials (free/bundled items -- must be unused/unopened, warranty cards, plastic, pouches, manuals etc.). We reserve the right to charge an up to 15% restocking fee on any opened guitars, amps, or keys being returned.
Our 45-Day Satisfaction Guarantee covers brand new products only -- it does not cover used and clearance products (see below). It also does not cover items in the “What is NOT Returnable” list below. Please note: All actual shipping fees paid by Prymaxe will be deducted from your refund. This includes orders that qualified for free or subsidized shipping. Return shipping must be paid by the buyer. If you received a defective or incorrect item, please see our FAQ section below.
All Used and Vintage items come with a 48 hour approval period. Please contact us directly at email@example.com within 48 hours of receiving your product for us to set up a manual return for you. Be sure to include your order number and reason for return in the email. All Used/Vintage items must be returned in the same condition they were sent to you in, as well as include all materials that came with it.
All returns should be insured by the buyer and sent via UPS, Fedex, or USPS with tracking. Please do not write on or attach tape or labels to the product box (these will be refused) -- use a packing box to return the product. Attach a shipping label with the RMA number onto the shipping box. Packages without a valid RMA number on the outside of the box will be refused.
To request an RMA number, please email firstname.lastname@example.org. We do not issue RMA by phone.
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Once your return is received by us, your refund will typically be processed within 10-15 business days. It typically takes a few business days for all credit card refunds to be processed and reflected on your statement. This means it will take a few extra days for your refund to show in your account after your return is processed. Store credit refunds will be given in the form of a e-gift card which will be available for immediate use after it is emailed to you. Please note: All actual shipping fees paid by Prymaxe will be deducted from your refund. This includes orders that qualified for free or subsidized shipping. Return shipping must be paid by the buyer. If you received a defective or incorrect item, please see the next question.
What if I receive a defective or incorrect item?
If a product is defective upon arrival, or the wrong item was received, all the shipping fees will be covered by us and we will give you a store-credit refund on the original order. For defective items, Prymaxe reserves the right to refuse the return if we determine the reason for the unit failing was not covered under the warranty (i.e., if the item was damaged due to user fault or error). If you feel your item was damaged in shipping, please take plenty of pictures of the damaged box and item and immediately contact us so we can open a claim with the shipping company.
Please be very diligent with testing your defective item. Be sure to try other guitars, power supplies, cables, and amps. We also request that you take a video of the item not working. If we receive your item, test it, and find it to be working, we will give you a refund minus the cost of shipping both ways.
When must I ship my return?
Your return must be received by us within 45 days of the original purchase date for store credit, or postmarked by 14 days for a refund to the original purchase method (PayPal, credit card, etc). This means you must ship your return with enough time for us to receive the package within the deadline. If it does not arrive within 45 days, we will refuse the package. If you feel you sent the package within a reasonable time frame, but it arrived late due to the shipping company’s error, please immediately contact us to make an appeal before we refuse the package.
What if I pre-ordered an item?
If a pre-ordered item arrives outside of the 45 day window from when you ordered it, you will have 7 days from the arrival date to send it back for store credit.
Why was my package refused?
There are a number of reasons your package could be refused by us, including:
I love volume swells and volume washes. I use those two techniques all the time in my playing. Watching the demo videos for the Sneak Attack, this looked like a great way to slip those swells and washes smoothly and rhythmically into songs, while taking my pick attack out of the mix. Plus I could use the pedal for tremolo (another favorite effect) so I could take the trem pedal off of the pedalboard to make room for this pedal. Plus tap tempo? Cool. Washes with a controlled build where I could set the waveform intrigued me, as did the flexibility of being able to automatically or manually trigger the swell with use of the tap tempo button. So, I ordered the pedal.
And the Sneak Attack does all that I imagined in really cool ways … sort of. When I get everything tweaked right, amazing swells and decays happen. Once I adjust the rhythm of what I’m playing to fit nicely with when the effect engages, sound washes in and out to create enthralling atmospherics. I love that. Only when I tweak a dial a little wrong, or switch guitars to one with a different output, or change which effects are on/off and feeding into the Sneak Attack, or change how hard I’m playing for any reason, I have to futz with settings again.
The issues amount to user (playing style) error, but I think the bottom line amounts to fine for studio, impossible for live. Let’s start with the LFO setting: here is where I find the most precision is required. Without the Lil Buddy switch in, far left (counterclockwise), the LFO dial sets the pedal to tremolo, meaning the wave attack and decay fire continuously. Far right sets the pedal to manual – meaning the attack only fires when you do a short depress of the button. In between, the LFO dial sets the strength of guitar signal the Sneak Attack must detect to engage the swell to decay. Higher LFO settings require more oomph from the guitar signal.
Therein lies the first challenge: too high an LFO setting, and my playing doesn’t start the swell. So I pick or strum and I get silence. That’s not good. So I set LFO low. Only I can’t set the LFO too low or I’ll be in tremolo mode. There’s no detent in the **** turn to distinguish the exact difference. Why is that? In part it seems to be because the difference between swell/decay and true tremolo seems to be determined by the playing you’re doing. Example: once I have the LFO low enough that my playing triggers the swell, I also often have to make sure what I’m playing on the guitar doesn’t ask the guitar to naturally sustain long enough that the sustain of the guitar is still happening after the Sneak Attack decays the note, therefore asking the Sneak Attack to open the swell again. Refine my style/technique, or adjust settings for the song (or guitar being used) and I’ll be fine. Only since part of my technique is controlling how hard I strike the strings with my pick, I have to closely think about how I’m playing. A compressor could even out my attack, but also would cause the guitar’s sustain to be present longer. It’s a tough balance to find, and it’s a balance that can be influenced by all the factors I’ve previously mentioned – which guitar, which pickups, volume setting on the guitar, which effects are on or off in the signal chain before the Sneak Attack, etc.
What about the Sneak Attack’s manual mode? Well for tremolo, it’s pretty cool. All the settings in the middle of the LFO **** suddenly start to matter for divisions of the beat, and I can create amazing gradients of the wave form. My prior tremolo was stereo for my stereo set-up, but for the combination of swells and tremolo, I was willing to sacrifice this feature on the Sneak Attack. Only, once the Lil Buddy is plugged in, all the swell/decay stuff that isn’t tremolo is only available via manual triggering on the Lil Buddy. While waveform shape is more adjustable with the Sneak Attack than a volume pedal, for manual triggering the volume pedal works fine (if not better for me). So to effectively switch between tremolo and automated swell/decay, I have to plug and unplug the TRS cable each time. That’s not so good either.
Bottom line: The pedal does what it sets out to do, and those swells and decays are sonically enrapturing and available only in this pedal or through studio manipulation of a wave form. For those reasons, I’ve held onto the pedal. The pedal works consistently well, as described, and sounds great. Only I don’t play as consistently as the pedal requires to get maximum benefit from it.
A very unique and cool pedal. I've wanted an envelope generator to play my electrics through and this pedal fulfills much of what I'd hoped for. You can adjust the attack and the decay ( sustain and release would have been cool also, but not a deal breaker). What I use it for is to take off the sharpness of the attack (think quick volume **** swells without all the effort) and also to create a very short, almost synth-like decay on notes. You have to play cleanly and pick most of the notes, but I really dig the sound. It also does some very nice tremolo type sounds as well. Remember to reset the volume using the level **** when the volume seems to disappear (turn it to the right and then to the left).