The Palisades is something we said we would never do… an overdrive based on the legendary TS808! Gasp! The horror! Another tubes creamer?? In 2014?? Really?? After loads of requests we finally buckled. We ran tests with every popular clone on the market as well as several vintage originals, compared, contrasted and took loads of notes. It was exhausting but informative. In the end, we threw it all away, used our ears and came up with what we feel is the most versatile relative of the 808 available today.
With 6 different clipping voices, 5 bandwidth settings and 2 gain channels you will be hard-pressed to not find a setting that will wipe every mid-boosting overdrive off your board. The clipping voices determine how transparent and open or tight and crunchy the distortion is. They will vary drastically depending on where the gain is set, what channel is active and how much bandwidth is being used. The bandwidth sets the frequency response of the distortion and goes from thin, light and clean through fat heavy and crunchy. It may very well be the single most important control the palisades has and what really sets it apart.
Gain A is a lower gain channel with a wider range of grit that is great for strumming open chords. Gain B is a higher gain channel with a tighter range that is great for palm muting and/or shredding solos. The Palisades also has a foot switchable volume boost with adjustable level to take it over the top when you want to throw your foot up on the monitor and rip your sweet leads… or maybe just push the front end of you amp a little harder. Not enough? How about a normal/bright switch to mix and match the overall tone to different amps and guitars. Still not enough? OK then, how about a buffer on/off switch to tighten up the tone and make it sparkle when set to “ON” or warm it up and make it sag when set to “OFF”.
The Palisades is a versatile dude that will give you years of loving companionship. Each Palisades is hand made one at a time in the tiny tree house community of Akron, Ohio.
Boost: Sets the level of the output boost.
Volume: Sets the output level.
Tone: Brighter clockwise, warmer counter clockwise.
Gain A: Sets the gain for the Channel A (lower gain)
Gain B: Sets the gain for Channel B (higher gain)
Activate: True bypass switch
Gain B: Activates Gain Channel B
Boost: Activates the output level boost
Normal/Bright: Normal is a warm full tone, Bright is livelier tone with more chime.
Buffer: Turns the input buffer on or off. ON is a tighter and brighter tone while OFF is a warmer tone with more sag. The buffer is part of the drive circuit & is only available when the Palisades is activated.
Bandwidth: This sets the overall tone and gain structure of the Palisades. 1 is the thinnest setting with the least amount of gain and 5 is the fattest setting with the heaviest gain. Everything else is in between. This control has a major effect on all the settings of the Palisades, especially the gain and voice controls.
Voice: This sets the nature of the Palisades distortion by changing the clipping diodes. 1- No diodes: The most open and least distorted. 2- LED clipping: light clipping with a lot of volume. 3- Mosfet clipping: light gain OD with great harmonics. 4- Asymmetrical Silicon clipping: Tighter light gain OD closest to stock 808. 5- Symmetrical silicon clipping: tighter distorted tone. 6- Schottky Diode clipping: Looser fuzzy tone.
5.5″ x 4.5″ x 2.5″ with knobs.
A standard 9volt DC power supply intended for musical instruments with a negative center 2.1mm barrel.
NOTE: The first 400 Palisades say 9-18v. Some things changed between the prototype and production phase that no longer allow the palisades to operate correctly at 18v. We apologize for any inconvenience this may have caused. In all honesty, it sounds way better at 9v than 18v anyhow.
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Once your return is received by us, your refund will typically be processed within three business days. It typically takes a few business days for all credit card refunds to be processed and reflected on your statement. This means it will take a few extra days for your refund to show in your account after your return is processed. Please note: All actual shipping fees paid by Prymaxe will be deducted from your refund. This includes orders that qualified for free or subsidized shipping. Return shipping must be paid by the buyer. If you received a defective or incorrect item, please see the next question.
What if I receive a defective or incorrect item?
If a product is defective upon arrival, or the wrong item was received, we will send you a replacement/the correct item, and all the shipping fees will be covered by us. For defective items, Prymaxe reserves the right to refuse the return if we determine the reason for the unit failing was not covered under the warranty (i.e., if the item was damaged due to user fault or error). If you feel your item was damaged in shipping, please take plenty of pictures of the damaged box and item and immediately contact us so we can open a claim with the shipping company.
Please be very diligent with testing your defective item. Be sure to try other guitars, power supplies, cables, and amps. We also request that you take a video of the item not working. If we receive your item, test it, and find it to be working, we will give you a refund minus the cost of shipping both ways.
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If a defective or incorrect item was sent to you, we will send out the replacement as soon as we get the defective/incorrect item back and approve/process the return (typically within three business days). If we do not have the replacement in stock, we will issue a full refund. If you need the replacement to be sent out immediately, please place a new order, and when we get the defective/incorrect item back, we will issue a full refund of the original order.
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Even if you pre-ordered an item, we must still receive it within 45 days of your order date in order to give you a refund, so please only pre-order items you plan to keep. If your pre-ordered item arrives defective, you will have a 48 hour period to contact us for a replacement.
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